الخلاصة

وصفSharon Tate in Eye Magazine, 1969 (cropped).jpg	English: American actress Sharon Tate in a press photo for the May 1969 issue of Eye Magazine. This picture was also used as a publicity photograph for her film The Wrecking Crew, released in the same year.
تاريخ	مايو 1969
مصدر	https://simply-sharon-tate.tumblr.com/post/135653159389/sharon-tates-diet-secrets-as-reported-in-the-may / Source for the better quality picture, from Getty; https://www.gettyimages.ch/detail/nachrichtenfoto/sharon-tate-publicity-portrait-from-the-film-the-nachrichtenfoto/134193909
مؤلف	غير معروفUnknown author
سماح (إعادة استخدام الملف ده)	English: *A renewal search was done at copyright.gov using the title Eye Magazine. There were no listings for the publication; there's no evidence of continued copyright on the magazine.
إصدارات أخرى	اُستخرِجَ هذا الملفُّ مِن مَلفٍّ آخرَ هو  : Sharon Tate in Eye Magazine, 1969.jpg

الترخيص

يقع هذا العمل في النِّطاق العامّ في الولايات المُتحدة الأَمريكيَّة لأَنَّه نُشر فيها بين عامي 1929 و1977 ضِمناً، دون وجود إِشعارٍ بحقوق التَّأليف والنَّشر. للمزيد مِن التوضيحات انظر كومنز:مخطط هيرتل والتَّعاريف التَّفصيلية لمسائِل نشر الفنون العامَّة. يَلزم الانتباه إِلى أَن حقوق التَّأليف والنَّشر قد تكون ساريةً في الولايات القضائية حيث لا يسري بند حكم الفترة الأقصر على الأعمال الأَمريكيَّة (حسب تاريخ وفاة المُؤَلِّف)، فهي مثلاً 50 عاماً بعد الوفاة في كندا وفي برِّ الصِّين الرَّئِيسيِّ الَّذي لا يَشمل هونغ كونغ وماكاو و70 عاماً في أَلمانيا وسويسرا و100 عام في المكسيك. العربية ∙ беларуская (тарашкевіца) ∙ čeština ∙ Deutsch ∙ Ελληνικά ∙ English ∙ español ∙ français ∙ Bahasa Indonesia ∙ italiano ∙ 日本語 ∙ 한국어 ∙ македонски ∙ Nederlands ∙ português ∙ русский ∙ sicilianu ∙ slovenščina ∙ ไทย ∙ Tiếng Việt ∙ 中文（简体） ∙ 中文（繁體） ∙ +/−

"Publicity photos have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary." Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:

"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."

See also film still article, which explains that publicity photos were traditionally not copyrighted.